Ko-Tosho (swordsmith) Tsuba with an ume (plum) sukashi design. It is ubu without hitsu ana dating back to Muromachi period
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Iron, slight mokkō-gata shape with inome (heart-shaped) perforations at the indentations with gomoku-zōgan style of brass ornamentation
Iron, maru-gata, Heianjō tsuba with bits of brass embedded into the iron plate in a style known as “gomoku zōgan”
Iron, maru-gata, hollyhocks in brass inlay. Heianjō style tsuba from muromachi or mid-to-early Edo era
Iron, maru-gata Yoshirō style tsuba with brass inlay of maple leaves and bamboo, with six roundels of bell flowers in a typical Yoshirō design
The work on this tsuba is in the style of work of Koike Yoshirō
A seldom seen variation of a typical Yoshirō tsuba. Its seems slightly unusual to have a mokko-gata shape with “okezoko-mimi” on a Yoshirō tsuba
Iron, kawarigata tuba, with “water weed” (mogusa) patterns scattered throughout the tsuba in brass inlay
Iron, mokkō-gata with heart-shaped (inome) sukashi at the indentations, brass inlay arabesques and flowers
Signed by Shōami Masanori. An interesting fact. Marcus Sesko points out, Masanori was the first Shoami smith to sign with his own name
A metalsmith of the Ōmori school, Terumasa worked in Edo towards the end of the Edo era (mid-19th century)
The now closed Japanese Sword Fittings Museum attributed a very similar tsuba to be the work of Fukanobu whom was second generation of the Kamiyoshi School. The direct attribution to Fukanobu was likely made due to very distinct punch mark pattern around the central opening (nakago-ana on the front side of the tsuba) which are very, very similar to the punch marks on this one. He made tsuba and other sword fittings on a full-time basis for the ruling Hosokawa Family in Higo Province modern day Kumamoto Prefecture. He lived from 1798-1851.
A somewhat abstract design of crickets and autumn grasses with fine metalwork, done by what appears to be an early Edo master of the Akasaka school
Two spiny lobsters arranged asymmetrically in sukashi inside of a circular rim with hitsu for kōgai and kozuka
Iron, jūnimokkō-gata tsuba with images of twelve family crests in sukashi, in small circles arranged around the perimeter of the tsuba. Higo, after Hayashi
Iron, round-shaped, with image of family crest motifs in sukashi. Most certainly Hayashi school