Ko-Tosho (swordsmith) Tsuba with an ume (plum) sukashi design. It is ubu without hitsu ana dating back to Muromachi period
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The varying carving techniques, as well as the colored metals, draw the viewer’s attention around the tsuba. Excellent condition
A beautiful example of an iron tsuba from the Saotome school with a very good patina. This tsuba is in excellent conditions and all lines of the petal remain intact
Done in katchu-shi style, it is slightly unusual to see such a tsuba in the wan-gata style
A powerful tsuba in the Bushū style, with a hint of elegance in the design
Namitoshi was a late Edo era metalworker, working in the Bushū style
Iron, maru-gata, sukashi tsuba, Owari tsuba of abstract design, with two hitsu-ana
Masakiyo (civilian name of Takabayashi Isagi) was born in Shizuoka in 1929. Few examples of this smith’s work are in existence today
This is a remarkably well-preserved set from the late Edo period. Sakunoshin Tomohisa was a metalworker from the late Edo period
Image of chrysanthemums in positive and negative silhouette in the so-called “Ko-Hagi” style. To find a daisho pair of tsuba in this condition is becoming more and more rare
his tsuba bears similarity to one found in the catalogue (see photo) signed Sadayuki (貞之) of Kaga province, both in shape and carving style. This tsuba may be an unsigned work of Sadayuki, or one of his contemporaries in Kaga
Iron, six-lobed mokkō-gata tsuba with of inome (heart-shapes) arranged symmetrically inside of six-sided geometric pattern in sukashi on the inside of the tsuba
Zensuke Tomotsune was a highly-regarded smith from Chōshū, and a retainer of the Mōri clan. Robert Haynes says this about Tomotsune; “he is considered first among all the Chōshū workers“
Yoshitaka (of the Komai family) was a late-Edo era metalsmith, living and working in the Ueno area of Tōkyō
Inlay of gold seal bearing a single kanji (possibly 来 or 栄). The design of rain dragons in gold inlay are typical of the Sendai school
Iron, slight tatemaru-gate, dote mimi with kin and gin zogan carved into the rim. Two hitsu-ana. A nice strong and powerful tsuba
A very interesting tsuba that is nice, well-balanced, and in good condition. Not many in this style are found for sale