Ko-Tosho (swordsmith) Tsuba with an ume (plum) sukashi design. It is ubu without hitsu ana dating back to Muromachi period
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Ko-Tosho (swordsmith) Tsuba with an ume (plum) sukashi design. It is ubu without hitsu ana dating back to Muromachi period
Iron, marugata, image of cherry blossoms on floating rafts (hana ikada). Bushū Itō school
Iron, marugata, mokume (wood-grain) pattern on the base, with symmetrical sukashi designs of Tachibana. The mokume iron base is distinctive, and hints at the Myōchin school
Marugata formed by five cranes in flight carved in sukashi. This design is often seen using three cranes arranged in a circle. This five-crane design is somewhat rarer
Tsuba with image of Hō-ō (mythical phoenix-like bird) gilded with nunome-zōgan inlay. The hō-ō bird is an auspicious symbol, and is commonly seen on tsuba
Tokubetsu Kichō (especially precious) appraisal paper issued by NBTHK in 1971. Yamagane, kikka-gata tsuba with scalloped rim, and image of waves on the tsuba plate with gold and silver zōgan which are representing foam on the waves
Sadanao was a late-Edo era artisan who lived in the Kanda region of Edo. The Bushū school often depicted plants and flowers in this swirling, powerful, yet elegant sukashi style
This is a typical Kyō-sukashi design. The squarish, spindle shape is said to evoke the image of a long thread, and therefore symbolic of long life, and recalls a Japanese saying “to spin good luck”
Iron, kawarigata tsuba with three lobes of tomoe-shaped pairs. Probably a work from the Owari group. Or possibly even the Myōchin group
Iron, round, image of pine trees in sukashi. A robust and rustic tsuba, possibly from a student of the Bushū school, showing pine trees, branches, and trunks, enclosed within a circular rim
This tsuba bears the signature of Masakata from the Bushū school, who was tsuba artist working in the Edo region in the latter part of the Edo era
This tsuba is mumei (unsigned), but seems to be an Shôami-style tsuba of Satô Chinkyû (佐藤珍久), whom is regarded as the founder of the Shônai branch of the Nara school and having the famous Tsuchiya Yasuchika as apprentice
Possibly from the Kyō-shōami school who uses this theme in this style, often incorporating an umbrella or hat into the design. This tsuba is a lovely antique from the Edo era
Iron, tatemarugata, theme of Yatsuhashi bridge with irises. The theme itself is an old design, recalling Heian times in Japan, and it has been interpreted in many ways on tsuba
Iron, tatemaru-gata, theme of ginko leaves resembling cranes, and two “kan” handle figures. Possibly Higo school
This tsuba is particularly charming due to the use of positive and negative sukashi, and because of its pristine condition. Possibly Akasaka school