Ko-Tosho (swordsmith) Tsuba with an ume (plum) sukashi design. It is ubu without hitsu ana dating back to Muromachi period
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Iron, mokkō-gata with heart-shaped (inome) sukashi at the indentations, brass inlay arabesques and flowers
Signed by Shōami Masanori. An interesting fact. Marcus Sesko points out, Masanori was the first Shoami smith to sign with his own name
A metalsmith of the Ōmori school, Terumasa worked in Edo towards the end of the Edo era (mid-19th century)
The now closed Japanese Sword Fittings Museum attributed a very similar tsuba to be the work of Fukanobu whom was second generation of the Kamiyoshi School. The direct attribution to Fukanobu was likely made due to very distinct punch mark pattern around the central opening (nakago-ana on the front side of the tsuba) which are very, very similar to the punch marks on this one. He made tsuba and other sword fittings on a full-time basis for the ruling Hosokawa Family in Higo Province modern day Kumamoto Prefecture. He lived from 1798-1851.
A somewhat abstract design of crickets and autumn grasses with fine metalwork, done by what appears to be an early Edo master of the Akasaka school
Two spiny lobsters arranged asymmetrically in sukashi inside of a circular rim with hitsu for kōgai and kozuka
Iron, jūnimokkō-gata tsuba with images of twelve family crests in sukashi, in small circles arranged around the perimeter of the tsuba. Higo, after Hayashi
Iron, round-shaped, with image of family crest motifs in sukashi. Most certainly Hayashi school
Iron, tatemaru-gata, raised rim and hammer marks, with image of the poet Li Bai admiring a waterfall under pine trees
The theme and composition is typical for either a smith from one of the Echizen schools, or from the Bushū school
Iron, round-shaped tsuba with image of pine trees through mist, done in Akasaka-style sukashi
Iron, mokkō-gata shape, with sukashi image of anchor carved into a background of waves with points of gold inlay representing foam on the waves
Probably an Edo-era Tōshō style tsuba. It features a geometric “screen pattern” (like a Japanese sliding screen)
Bushū Itō sukashi style. A detailed depiction of a conch-shell (horagai) used for signaling on the battlefield
Ex. The Naunton collection. Published in the book “Japanese Sword Fittings: Collection of G.H. Naunton Joly, Henri L. Ref. item no. 961.
Shakudō, kawari-gata, with gold inlay. Image of a frog on lotus leaf. A beautiful and unusual Tsuba with excellent patina